Odyssey Opera recording of Mascagni's "Zanetto" starring Eleni Calenos is released on
Pietro Mascagni: Zanetto Odyssey Opera Orchestra, Gil Rose & Odyssey Opera Get the recording.
Beruan delivers with "stunning power" in the title role of UrbanArias "The Man Who Mi
"At this past Saturday’s performance, baritone Jeffrey Beruan in the title role had the most pleasing voice, delivering Schumann’s “Ich...
In Review: Faircloth, Tucker, Bowers, & Tweten in Utah Opera "Carmen"
"Utah Opera opened its five-performance run of "Carmen" Saturday night with a stirring performance in a sold-out Capitol Theatre. . ....
Corey Crider brigs "sweep of operatic passion" to Opera Roanoke "South Pacific"
"In casting soprano Ariana Wyatt and baritone Corey Crider, Opera Roanoke leaps across the show’s first hurdle, finding singers who can...
In Review: Zabala and Morgan in "Sister Carrie" at Florentine Opera
"Mezzo-soprano Adriana Zabala gave a dramatically compelling, beautifully sung performance in the title role on Friday. . . Tenor Matt...
In Review: Babcock, Fout, Barron, and Nelson give "stunning" performances in New Orleans O
"Mezzo-soprano Audrey Babcock gives Donna Elvira more of a spine than many directors often allow. As such she serves as an ultimate foil...
In Review: Treviño "unstintingly powerful" in the cast recording of "The Man Who Mist
"Portraying Dr. P with charm and sympathetic humility bass Matthew Treviño immediately earns the listener’s attention and affection. . ....
In Review: Hilley as Canio in "Pagliacci" with Virginia Opera
"Clay Hilley sang Canio, the duped husband, with a dramatic tenor that made his rage plausible." -The Virginian-Pilot Read full review.
In Review: Noel Bouley as Don Alfonso in Deutsche Oper Berlin's "Cosi fan tutte"
"Noel Bouley gibt den Don Alfonso mit schlagfertigem und biegsamem Bariton. Bouley gelingt ein kraftvolles Porträt. Bouley ist weniger...
Noel Bouley is dulcamara in "L'elisir d'amore" with Deutsche Oper Berlin
Gaetano Donizetti himself described his ELIXIR OF LOVE, which premiered in 1832, as an “opera buffa”, yet there is little to laugh about...