Martin impresses in Lyric Opera of Chicago "American Dream"
"The performances proved better than the opera itself, mezzo Martin the most imposing voice in the cast as Eva Crowley, the scale of...
Opera News hails Belcher's "strong and sensitive" portrayal in the recoding of "H
"baritone Daniel Belcher is entirely believable as the the troubled patriarchal figure, and his commanding presence creates riveting...
In Review: Crider and Treviño in Florentine Opera's "L'incoronazione di Poppea"
"There is star acting from mezzo Amanda Crider as Poppea. She is not just fetching in her seductive manner and sly power to corrupt, but...
Habersham "exquisite" in Minnesota Opera's "The Fix"
"Katie — played by pulsating soprano Jasmine Habersham." -Star Tribune Read full review. "Habersham’s brief but memorable appearances are...
In Review: Alvarez as "Aida" gives "breathtaking lyricism"
"L’interprétation très exigeante de la partition acrobatique d’Aïda a été mise en vedette par Elaine Alvarez, pleinement engagée, qui a...
In Review: Biller as "Madame White Snake" at the Hong Kong Arts Festival
“Soprano Susannah Biller did the role of Madame White Snake full justice.” -Peter Gordon, Asian Review of Books Read full review.
In Review: Nistico in Opera Sarasota's double bill
"Nistico’s deep voice is most satisfying, but what stays in the memory is his entirely believable, over-the-top tantrum." -Sarasota...
In Review: Boehler as Utah Opera's Sarastro in "Die Zauberflöte"
"Matt Boehler as Sarastro inhabited his character with conviction, and sang with a warm yet authoritative deep voice." -Utah Arts Review...
In Review: Bix in Arizona Opera's "Silent Night"
“Corey Bix was a vocally commanding Kronprinz.” -Operawire Read full review.
In Review: McIntyre's "Don Giovanni" in Palm Beach should "not be missed"
Palm Beach Opera serves up a striking, film noir “Don Giovanni” "Don Giovanni’s brand of swinishness is so universal that the opera...