"But it's Cassandra Zoe Velasco, as Butterfly's loyal and loving maid Suzuki, whose best encapsulates the audience's revulsion at...

"Ismaele was sung the first night by Robert Watson. . . Watson’s youthful tenor established the character’s purity and innocence. . . In...

"With this performance, Russian-American conductor Lidiya Yankovskaya made a most impressive Arizona Opera debut. Her beat was cogent and...

"Craig Irvin as Orest made a vivid impression, completing a front-line vocal roster whose stamina never wavered through the 100-minute,...

"As Figaro, bass-baritone Calvin Griffin delivered a performance that could have been on any opera stage in the world. He sang with a...

In Review: In Pittsburgh Opera's Don Giovanni, a noir spin proves arresting, thought-provoking "When serial womanizer and sexual deviant...

"Baritone Michael Mayes made a conniving Tonio, the circus performer who longs to possess Nedda for himself. With a rich tone that easily...

Lyric Opera review: A wickedly funny ‘Barber of Seville’ begins season "Lyric Opera of Chicago launched its 65th season on Saturday night...