"Daniel Belcher was an austere, yet sensitive and elegant sounding Melchior. His rendition of “Oh, Woman, You Can Keep That Gold,” was a...

"Bass-baritone soloist Richard Ollarsaba was especially impressive, his rich, smooth timbre gently ballooning with the celli and basses...

"Star-Making Performances, Female: Mezzo-soprano CATHERINE MARTIN brought a voice full of colors and a large, secure range to her...

"From the moment we began to hear Blumberg's well-rounded low notes, I knew that he could rank among the best basses I've heard live in...

"Best of all was the Godmother of Marie-Eve Munger, whose pinpoint coloratura and saucy characterization bewitched the audience in her...

"The orchestra and its director, Christopher Larkin, deserve highest praise. Never overpowering the singers, they brought to the music a...

"a flawless, kaleidoscopic staging by the abundantly gifted director, Kristine McIntyre. The central playing space has audience members...

"Conductor Robert Tweten, a veteran of Utah Opera, led members of the Utah Symphony in a well-crafted performance of the score." -Utah...

"Noel Bouley played Giorgio Germont straight down the line, willing us to have sympathy with his dilemma, and his rich baritone was...

"Maestro Sergio Alapont at the head of the Orchestra Città di Ferrara gives adequate instrumental depth to the ductile and animated...