In Review: Faircloth, McEuen, and McDonald in Wolf Trap Opera's "Ariadne auf Naxos"
"Director Tara Faircloth used the supporting cast to advantage in a production that was at once fairly conventional — set around the time...
In Review: Mayes and McEuen impress in Atlanta Opera "Sweeney Todd"
"Mayes makes for a compellingly sinister and seething Sweeney, internally miserable but taking an outwardly visible delight in planning...
In Review: Apostolou, McEuen, and Wood in the world premiere of "Florida" at UrbanArias
‘“Florida” certainly had strong moments, not least Florida herself: Sharin Apostolou was terrific playing a curious, vibrant teenager...
In Review: Ian McEuen is Goro is Washington National Opera's "Madama Butterfly"
"Ian McEuen returns to the WNO stage as Goro and fares well in this stylized version of Madame Butterfly, scooting around the stage,...
Opera News hails McEuen for his "Standout contribution" as Toby in "Sweeney Todd"
"Another standout contribution was the Toby of Ian McEuen, another performer who completely understood the style." -Opera News Read full...
In Review: Lugo and McEuen in Virginia Opera's "Turandot"
"Ricardo Lugo’s huge bass perfectly fits Timur, the blind, banished king of Tartary and Calaf’s long-lost father." -The Virginian-Pilot ...
In Review: McEuen and Wood in "The Man Who Mistook His Wife for a Hat" at UrbanArias
"The excellent cast (the patient, his wife and the doctor) does its best to interact with the 180 degrees of audience, and the hour-long...
In Review: Ian McEuen as Goro in N.C. Opera’s “Madama Butterfly”
“[…] it is astonishing to note how significantly a good Goro can heighten the impact of a performance of the opera, and North Carolina...
In Review: Sloan, Masters, and McEuen in AZ “Magic Flute”
"CHAD SLOAN was a sparkling Papageno with a robust voice who never stopped moving. He made you believe he could easily capture the most...