Slayden "flawless" as Rodolfo in Pacific Opera Victoria's "La bohème"
"Mimì appears with her candle. . . Slayden's love for her was obvious and infectious. Slayden's "Che gelida manina" was absolutely...
In Review: Slayden and Larkin in Opera San Jose's "La rondine"
"Opera San José does make a fine case for the work, no one more so than the orchestra, lead by Christopher Larkin. . . Tenor Jason...
In Review: Calenos and Slayden impress in Annapolis Opera "Madama Butterfly"
"As with any opera, the vocal talent of the performers determines the success of the show; the Annapolis Opera Company delivered. Slayden...
In Review: Slayden impresses as Gabriele Adorno in "Simon Boccanegra" with Pacific Opera V
"As her lover Gabriele, tenor Jason Slayden also impressed, nicely conveying his character’s anguish — “I’m raving, I’m weeping” — when...
In Review: Jason Slayden in Berkshire Opera's "Madama Butterfly"
"The ill matched and worse-fated protagonist stars are interpreted here by an exquisite Inna Los as Butterfly and a dashing Jason...
In Review: Anderson and Slayden in Opera Santa Barbara’s “Gianni Schicchi/Suor Angelica”
“The ensemble rose to the challenge of this fast-paced farce by displaying a seemingly effortless but no doubt hard-earned cohesion...
In Review: Jason Slayden in Lyric Opera of Chicago’s “Roméo et Juliette”
“Jason Slayden made a notable Lyric debut as Tybalt, showing an ample, flexible tenor and likewise inhabiting the violent, hot-headed...
In Review: Slayden and Parks in Virginia Opera’s “La bohème”
“As Rodolfo, Jason Slayden was a handsome suitor, displaying a bright tenor with compelling warmth in his baritone midrange. His first...
The reviews are in for Cassandra Zoé Velasco and Jason Slayden for Gotham Chamber Opera’s Double Bil
“Mezzo CASSANDRA ZOÉ VELASCO, fluid of voice and saucy in manner, was the maid Philomène in Alexandre Bis. . . JASON SLAYDEN brought his...