Joseph Colaneri | adaartists

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Colaneri makes an"impressive company debut" with Seattle Opera

"On the podium, Joseph Colaneri made an impressive company debut. Fully in command of an orchestra that was understandably diminished in...

In Review: Colaneri and Mayes in Glimmerglass Festival's "Il Trovatore"

"General Manager Francesca Zambello and Music Director and Conductor Joseph Colaneri are fearless artists and can pretty much pull...

In Review: Colaneri leads "The Ghosts of Versailles" with the Chateau de Versailles Specta

“At the head of the Royal Opera Orchestra, Joseph Colaneri leads instrumentalists and singers in this complex score, of which he masters...

In Review: Colaneri impresses in San Diego Opera's "Aïda"

"The orchestra has a more prominent role in Aida than in most operas, even more so when out of the pit and on the stage. The San Diego...

Colaneri brings his "inspired baton" to Glimerglass Festival "La Traviata"

"From the first haunting, glistening sound of the orchestral strings to the ponderous final strokes in the score that echoed the dying...

In Review: Colaneri and Latini in The Glimmerglass Festival's "The Ghost of Versailles&quot

"While this comic opera in two acts provided plenty of laughs, Corigliano’s score was sensational: Its color, intensity and clarity...

In Review: Colaneri brings his "special affinity" to "La Traviata" at The Glimme

“Glimmerglass conductor Joseph Colaneri brings his special affinity for the work to a most satisfying outcome. He draws out the intimacy...

In Review: Colaneri "masterful" as maestro for Juilliard "Don Giovanni"

"There was a palpable sense of excitement emanating from the pit. Under Joseph Colaneri’s masterful watch, the orchestra, all Juilliard...

In Review: Colaneri leads "La bohème" at Teatro Colon with "subtlety and vivacity&quo

“The orchestra, which in this opera continuously dialogues with the voices, and foreshadows all the dramatic outcomes, was led with...

In Review: Colaneri inspires a "graceful and electrifying" "Il barbiere di Siviglia&q

"The sounds that emerged from the pit were just as graceful and electrifying. The overture was played without any distracting stage...