"Outlaw is expressive as Salieri and he is somewhat offended at the other composer's easy sense of humor. Singing with bronzed tones, he...

"It’s not hard to see how he won over Mary, played by the marvelous Adriana Zabala. (Zabala’s Act II aria, “I worry, that’s all,” is...

"Bass Sidney Outlaw attacked his pieces with consummate diction and exceptional accuracy in runs and well-focused brilliance at the top...

"Soprano Karin Wolverton dazzled in Minnesota Opera’s “Silent Night” and shines as Fiordiligi. . . Baritone Sidney Outlaw and tenor...

"Sung by Karen Slack, Addie’s powerful personality reminded me of strong-willed mothers I have known as a teacher. With warm and inviting...

"The outstanding mezzo-soprano Rebecca Ringle, her voice dark and warm and a tangible anchor in the ensembles. . . As Wright, the fine...

"Soprano Emily Birsan possibly achieved the finest work yet seen from this young singer. Her voice was bright and glittering in the...

"A number of the performers, through strong singing and dramatic conviction, surmounted the hurdles the maladroit production placed in...

Way to go, Daniel Belcher, Tyson Miller, and Curt Olds!

“Sidney Outlaw’s brought a rich baritone to the brooding role of Golaud, and projected the clearest diction of the evening. He clearly...