Habersham "exquisite" in Minnesota Opera's "The Fix"
"Katie — played by pulsating soprano Jasmine Habersham." -Star Tribune Read full review. "Habersham’s brief but memorable appearances are...
In Review: Alvarez as "Aida" gives "breathtaking lyricism"
"L’interprétation très exigeante de la partition acrobatique d’Aïda a été mise en vedette par Elaine Alvarez, pleinement engagée, qui a...
In Review: Biller as "Madame White Snake" at the Hong Kong Arts Festival
“Soprano Susannah Biller did the role of Madame White Snake full justice.” -Peter Gordon, Asian Review of Books Read full review.
In Review: Nistico in Opera Sarasota's double bill
"Nistico’s deep voice is most satisfying, but what stays in the memory is his entirely believable, over-the-top tantrum." -Sarasota...
In Review: Boehler as Utah Opera's Sarastro in "Die Zauberflöte"
"Matt Boehler as Sarastro inhabited his character with conviction, and sang with a warm yet authoritative deep voice." -Utah Arts Review...
In Review: Bix in Arizona Opera's "Silent Night"
“Corey Bix was a vocally commanding Kronprinz.” -Operawire Read full review.
In Review: McIntyre's "Don Giovanni" in Palm Beach should "not be missed"
Palm Beach Opera serves up a striking, film noir “Don Giovanni” "Don Giovanni’s brand of swinishness is so universal that the opera...
In Review: Livengood in Washington National Opera's "Eugene Onegin"
"Where the production excelled vocally was in its veterans. Victoria Livengood, the American mezzo, was fabulous as the old nurse" -The...
In Review: Mechavich and Sloan in Arizona Opera's "Silent Night"
“The orchestra, under the baton of Joseph Mechavich, was terrific. They brought out all the sobering colors of Puts award-winning score...
Wolverton hailed for her "lustrous" voice in Santa Barbara "Eugene Onegin"
"As Tatiana, soprano Karin Wolverton sang with a lustrous, meaty voice. Her dynamics were wide ranging and her phrasing had a pleasant...