In Review: Faircloth directs "L'incoronazione di Poppea" for Boston Baroque
"Under director Tara Faircloth, the creative team successfully stressed the glory, power, glamour and sparkle of Rome." – Boston Musical...
Leon "disarmingly open-hearted" in Minnesota Opera 'La Traviata"
"it’s the moving evocations of intense love and sadness in Verdi’s music that make “La Traviata” a masterpiece, and those were...
In Review: Mechavich and Edelson in Florida Grand Opera's "Werther"
"this production is new, and a creation from the ground up. While keeping the story firmly planted in the German countryside, the simple,...
In Review: Biller and Bouley impress in Austin Opera "La bohème"
"But it's the cast who bring the characters to full and breathing life. Bouley's Marcello is perhaps my personal favorite. He is...
In Review: Havey's "The Crucible" at Opera Santa Barbara
"Stage director Stephanie Havey told highly dramatic story of THE CRUCIBLE in a realistic manner .... That kept the tension building...
In Review: Colaneri "masterful" as maestro for Juilliard "Don Giovanni"
"There was a palpable sense of excitement emanating from the pit. Under Joseph Colaneri’s masterful watch, the orchestra, all Juilliard...
In Review: McIntyre and Yankovskaya "superb" in COT's "Moby Dick"
This Superb Moby-Dick is a Defining Point in Chicago Opera Theater’s History "By any measure, the Chicago Opera Theater's staging of Jake...
In Review: Apostolou in Syracuse Opera's "The Threepenny Opera"
"Polly is wise to doubt Macheath, who is loyal to no woman. He is a regular at the brothel, where Jenny, played by soprano Sharin...
In Review: Habersham in "Porgy & Bess" with the BSO
In the other supporting roles, Jasmine Habersham as Clara captured the haunting lullaby “Summertime” during the opening -MD Theatre...
In Review: Zeniodi garners acclaim at Festival de Bogota
“The Greek conductor Zoe Zeniodi does not resemble Emmanuele Haim, so we get a different repertoire for her younger age. But, like Haim,...