In Review: Rosen an "excellent" Adalgisa in Calgary Opera's "Norma"
"Fortunata is wonderfully matched with an excellent vocal and dramatic companion in Annie Rosen as Adalgisa. Hers is a naturally warmer...
In Review: McIntyre's "La voix humaine" at Des Moines Metro Opera
"Stage director Kristine McIntyre brought Poulenc’s one woman drama into the modern era with her own updated translation of the libretto....
Whitney lends his "romantic lyrical tenor" to Knoxville Roméo
"Thankfully, Whitney was a perfect match for Piao, not only as the quintessentially handsome lover, but also as an equal vocal and...
In Review: Havey directs "L'enfant et les sortilèges" for the Philadelphia Orchestra
"smartly stage-directed by Stephanie Havey" -Philadelphia Inquirer Read full review.
In Review: Zaremba "splendid" in the Met's "Agrippina"
"Christian Zaremba sounded splendid in the scanty music Handel awarded Lesbo, Claudio’s “fixer.”" -Classical Voice North America Read...
Opera News hails Zetlan and Thurman for "Jane Eyre" recording
"Jennifer Zetlan, with her resplendent tone and dazzlingly clear delivery, gives a ceaselessly compelling, emotionally complex...
In Review: Colaneri leads "The Ghosts of Versailles" with the Chateau de Versailles Specta
“At the head of the Royal Opera Orchestra, Joseph Colaneri leads instrumentalists and singers in this complex score, of which he masters...
Thurman performs Lois Lane/Bianca in "Kiss Me, Kate" with Intermountain Opera
Somewhere between the world of opera and the world of modern theater lives “Kiss Me, Kate,” a play within a play brought to life in...
In Review: Zetlan and Yankovskaya shine in wildly successful "Ellen West" with the Prototy
“Persuasive and powerful, too, was Jennifer Zetlan as the tormented psychoanalytic patient at the center of “Ellen West”; Ms. Zetlan was...
In Review: McIntyre, Wood, and Riesen in UrbanArias "Glory Denied"
"stage director Kristine McIntyre has kept the story-telling as fluid as possible. Although written in two acts, she quite rightly, I...