Cotter "impeccable" as "Rinaldo" with Fresco Opera
“The cast is uniformly strong, particularly Gillian Cotter as Rinaldo/Skywalker... Cotter has a strong, clear voice and suitably” ...
In Review: Jesse Blumberg in Heggie’s “Three Decembers” with Atlanta Opera
“Charlie (baritone JESSE BLUMBERG). . . All three of the singers sang splendidly and were well-suited to their roles. Significantly, they...
Biller featured in St. Louis Post-Dispatch story
The St. Louis Post-Dispatch has done a feature story on Opera Theatre of St. Louis’ upcoming “Richard the Lionheart” starring our own...
In Review: Aaron Pegram as Monostatos in HGO “Magic Flute”
“The large cast featured the diverse strengths of top-quality singers who are fully comfortable with the demands of comic stage acting. ....
Ferrante “as close to perfect as it gets” in FGO’s “The Consul”
“In the role of Nika Magadoff, a magician trying to flee the country, JASON FERRANTE was the most comfortable and relaxed person on the...
La Scène commends Figueroa for his "confident manner, refined musicality, and a perfectly nuanc
“Très attendu, le jeune ténor canadien Antonio Figueroa, récemment remarqué en Avignon dans L’elisire d’amore, confirme tous les espoirs...
Ollarsaba receives raves for Minnesota "Carmen"
"Richard Ollarsaba (as toreador Escamillo) visually and aurally lives up to his barihunk reputation." - Basil Considine Twin Cities Daily...
In Review: Chad Sloan in Flagstaff Symphony’s “Carmina Burana”
“Baritone CHAD SLOAN cleverly portrayed a tipsy man of the cloth, and a perfectly timed and musically illustrated plop into his seat...
In Review: Maestro Tweten leads Edmonton’s “Lucia”
“Conductor ROBERT TWETEN kept the pace lively in the pit, and the Edmonton Symphony Orchestra showed how well they can play for the right...
In Review: Mentzer joins Seraphic Fire for Mahler's "Das Lied von der Erde"
“Mentzer’s mezzo-soprano has grown darker but it is still impressive. Her evocation of heartbreak in autumn was spun with warmth and...