Biller brings her “bright and flexible” voice to AZ “Fille”
“A passionate Marie, SUSANNAH BILLER was a veritable energizer bunny onstage. Her voice is bright and flexible with a good bloom on top...
Ollarsaba lends his "expressive, resonant voice" to Lyric Opera of Chicago's "Ris
“Bass-baritone Richard Ollarsaba went head to head with with Cantin as Duke Alfonso in the “Lucrezia Borgia” duet and more than held his...
In Review: Sloan, Masters, and McEuen in AZ “Magic Flute”
"CHAD SLOAN was a sparkling Papageno with a robust voice who never stopped moving. He made you believe he could easily capture the most...
Talbot receives rave review for “Pearl Fishers” with FGO
“As Nadir, the man who won Leila’s heart, the French tenor Philippe Talbot brought a light, attractive tone, particularly on sustained...
Sarah Tucker the "star of the show" in Arizona "Magic Flute"
“The star of the show was Marion Roose Pullin Studio Artist Sarah Tucker who sang Pamina. She has already been a Marcello Giordani Young...
In Review: Morgan impresses in Florentine Opera’s “Elmer Gantry”
“Tenor MATT MORGAN made the character flaws and actions of Eddie Fislinger thoroughly believable, singing with complete control while...
Babcock is a “big hit” in Knoxville “Carmen”
“Foremost, of course, is AUDREY BABCOCK’s Carmen, who not only sings her heart out, but is also responsible for the often delicious...
In Review: Mithra Mastropierro lends her "miracle soprano" to "Norma" at the Nat
“'Miracle' soprano from New York is elusive both vocally and in stage appearance…Mithra Mastropierro impressed with scenic charm and a...
St. Louis Today’s Classical Music Highlights of 2014 include Susannah Biller’s turn as Adina in “Eli
St. Louis Today’s Classical Music Highlights of 2014 include Susannah Biller’s turn as Adina in “Elixir of Love” with the Opera Theater...
In Review: Liam Moran sings Messiah in Kansas City
“Liam Moran sang the bass solos with a well-supported flexibility that carried the scriptures throughout the room with prophetic...