McNeese, Belcher and Hernandez Give a “Rollicking Fun” Cenerentola in Omaha
“Opera Omaha’s production certainly features a formidable ensemble, made up of winning singers who engage in courtly intrigue and a farce...
Scully Garners Fine Reviews as the Met’s Goro in “Butterfly”!
“The smaller parts were all sung well, including Scott Scully as Goro . . . “- New York Times Read full review. “Even smaller roles...
Aylmer brings the house down in Dallas Opera “Barbiere”
“But it wasn’t just the main stars, or Fiorello, that made this a such a strong cast. Both Burak Bilgli (Don Basilio) and Jennifer Aylmer...
Perry So gives "inspired concert" in Vancouver!
"This was a conquest for this young conductor. His orchestral control is really stunning, and the sheer quickness of execution and massed...
Scott Scully is “riveting” as Squeak in the Met Opera’s Billy Bud
“Scott Scully as the treacherous Squeak and Keith Jameson as the self-hating Novice sang beautifully and were riveting in their scenes of...
New York Times hails Wood's "luminous account" of "Paul's Case" at the P
"Robert Wood, the general director of UrbanArias, conducted the players of the American Modern Ensemble and the pianist Keith Chambers in...
Opera News praises Gartland's role debut as Violetta with Utah Opera
"Making her role debut as Violetta, Sara Gartland's statuesque beauty and opulent coloratura created a wholly sympathetic heroine....
Bouley gives an "excellent" Falstaff at Deutsche Oper Berlin
"Noel Bouley was an excellent Falstaff, with a great sense of comic timing and a burnished bass-baritone that calls to mind Bryn Terfel....
Amanda Pabyan impresses with “perfect comic timing” in Syracuse’s Nozze di Figaro
Amanda Pabyan interprets Susanna as a capable, strong young woman, one who can surmount hurdles that threaten to keep her from marrying...
In Review: Morgan sings Candide with Amarillo Opera
"As Candide, tenor Matt Morgan was good as both a romantic lead (of sorts) and a youngster, thanks to his boyishness and good...